Big Bird, big brain

The Economist on Sesame Street: 

Since 1969, “Sesame Street” has been introducing small children to letters and numbers by using clever skits and songs performed by Muppets and celebrities. Patrick Stewart, for instance, reworked Hamlet’s soliloquy as an ode to the letter B (“B or not a B, that is the question”). Now a report by two economists, Melissa Kearney of the University of Maryland and Phillip Levine of Wellesley College, has tracked the first generation of watchers (who were under six in 1969). It reveals that children who had access to “Sesame Street” ended up better prepared for school and were 14% less likely to fall behind in class. 
...
The show’s effects are not unlike those of Head Start, a federal scheme that provides poor families with services that include school-based early education. But it costs a fraction as much, says Ms Kearney. “Sesame Street” is not a replacement for early education, which most studies agree is vital; but it is certainly a very affordable supplement. “In essence,” she says, thinking of massive open online courses, “Sesame Street was the first MOOC.”

Neil Gaiman: How Stories Last

Neil Gaiman, at The Long Now Foundation, explores how stories last over time: 

Stories are alive. The ones that last, Gaiman said, outcompete other stories by changing over time. They make it from medium to medium—from oral to written to film and beyond. They lose uninteresting elements but hold on to the most compelling bits or even add some. The most popular version of the Cinderella story (which may have originated long ago in China) has kept the gloriously unlikely glass slipper introduced by a careless French telling.

The dancer, the singer, the cellist ... creative collaboration

Legendary dance choreographer Bill T. Jones and TED Fellows Joshua Roman and Somi didn't know exactly what was going to happen when they took the stage at TED2015. They just knew they wanted to offer the audience an opportunity to witness creative collaboration in action.

The Most Intimate Relationship in Your Life: Your Smartphone

Tom Chatfield for 99u:

Above all, it seems to me, we face two entwined questions every time we reach towards a screen. What does the computer want us to do—and what do we ourselves want? If we’re not careful, we will only ever answer the first. Ours is a world in which we are nudged, cajoled, bribed, and enticed ceaselessly; in which we are locked in an embrace with tirelessly fascinating tools. More than ever, we must be prepared to admit how messily personal this relationship is; how toxic habit and excessive ease can be; and that, as in all relationships, the easiest and the best option are rarely the same thing.

As the Nobel laureate Daniel Kahneman once put it, “when faced with a difficult question, we often answer an easier one instead, usually without noticing the substitution.” If we’re not careful, our days will become a sequence of answers to questions that aren’t worth asking: what do you like, dislike, think in 140 characters; how can a friend most efficiently be acknowledged or dismissed; what distraction might help you forget the life you forgot to lead?

The Shadow Ballet: Dancers & Drones

Wired: 

DRONES WILL CHANGE how we ship goods! They’ll revolutionize search and rescue! We hear about these futures all the time. It’s less often that we’re asked to consider how autonomous flying machines might be used for more poetic ends. But, as with any technology, drones can be just as invigorating for art as they are for commerce. “Shadow” is the just the latest example.