The Fascinating Sonic Illusion That Makes Christopher Nolan's Movies So Tense
/Why Christopher Nolan is obsessed with Shepard tones.
Exploring the ways in which artists, artisans and technicians are intelligently expressing their creativity with a passion for culture, technology, marketing and advertising.
Why Christopher Nolan is obsessed with Shepard tones.
Maria Konnikova's new podcast:
Welcome to The Grift, a show about con artists and the lives they ruin. Best-selling author and New Yorker writer Maria Konnikova takes us to the darker side of human nature and deceit. Ten stories about card sharks, cult leaders, art forgers, impostors and more. Why do we fall for them time and time again?
The technology behind the cinematic style of the BBC's Planet Earth II.
The Foley Artist sees a master sound designer at work on a fashion film. If you’ve ever wanted to see the chasm between the finished product and the extraordinary lengths taken to produce it, this short is for you.
Martin Weigel, Head of Planning at Wieden+Kennedy Amsterdam, has written a keenly observed essay on the role we play everyday in, well, fracking people's attentions:
So attention is personal – what we attend to defines our reality.
Attention is finite – it is a scarce and thus valuable resource – not just to those who wish to monetise it, but to those to whom it belongs.
And attention is hackable – the world is overpopulated with those skilled in the art of capturing and redirecting attention for their own purposes.
Surely then, we have a responsibility – dare one say, an ethical duty – to the audience.
And to the attention we see to hack.
A collection of links, ideas and posts by Antonio Ortiz.
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