The Fascinating Sonic Illusion That Makes Christopher Nolan's Movies So Tense
/Why Christopher Nolan is obsessed with Shepard tones.
The Lifelong Effects of Music and Arts Classes
/The Pacific Standard on a recent study that highlights the importance of arts education:
New research suggests [arts educators] are creating arts aficionados, and cultivating the next generation of patrons and performers.
“If one aim of music education, as many music educators report, is to engender a lifelong connection with the arts,” writes Kenneth Elpus of the University of Maryland, “the results of this study suggest that music — and arts education more broadly — is achieving this aim for many alumni.”For his study, published in journal Psychology of Music, Elpus analyzed data from the 2012 Survey of Public Participation in the Arts, an ongoing project of the once-again-threatened National Endowment for the Arts. It included data on 9,482 American adults regarding “their childhood experiences with music and arts education.” A larger group of 35,735 were asked about their arts-related experiences over the past year, as an audience member and/or creator.
“Rather than disengage from art-making and arts attendance upon graduation, students of school-based music and arts education were significantly more likely (than their peers) to create art in their own lives, and to patronize arts events,” Elpus reports.
Every Best Visual Effects Winner Ever
/For the 1927/28 Academy awards, the award was for engineering effects. There was no award again until 1938 where it was called a special award "for outstanding achievement in creating special photographic and sound effects. The very next year the award was combined with sound effects and called the Award for Special Effects. It wasn't until 1963 that the award became the Award for Best Visual Effects (which it is still called today). It was given every year from 1963 to present, with the exception of 1973.
Preposterous - A short film about absurdity
/In life, these things are certain: If a balloon lands on a cactus, it will pop. If you point a fan at a house of cards, the cards will fall. If you happen to drop a piece of toast, it will inevitably land jam-side down. (OK, so that last one isn’t always a given—but it definitely feels that way.)
These are a few of the inevitabilities that graphic designer Florent Porta subverts in his new film, Preposterous. “I really like old cartoons, humor, and absurd things,” he says. Set against sherbet colored backdrops, his 50-second animated short is full of expectation-defying moments crafted in Cinema 4D. Instead of the balloon popping, the cactus crumbles; instead of the cards falling, the fan blows itself backwards; miraculously, the piece of toast lands on its dry side.
Graphic Design Legend Milton Glaser on Design & Art
/Anne Quito for Quartz:
Design is not art. It’s a distinction understood by practicing designers, but it still eludes many. In an Oct. 29 talk at the Guggenheim Museum in New York City, the 87-year-old graphic design legend Milton Glaser gave the best definition of the practice of design.
“Design is the process of going from an existing condition to a preferred one,” said the 2010 National Medal of Arts recipient. “Observe that there’s no relationship to art.”
This confusion is not just a matter of semantics. In businesses, schools, offices, even newspapers, design is often associated with the art department. That’s a fundamental misunderstanding of the aim of design. When art and design are confused, the designers’ domain becomes limited to style and appearance.