How the BBC makes Planet Earth look like a Hollywood movie
/The technology behind the cinematic style of the BBC's Planet Earth II.
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The technology behind the cinematic style of the BBC's Planet Earth II.
For the 1927/28 Academy awards, the award was for engineering effects. There was no award again until 1938 where it was called a special award "for outstanding achievement in creating special photographic and sound effects. The very next year the award was combined with sound effects and called the Award for Special Effects. It wasn't until 1963 that the award became the Award for Best Visual Effects (which it is still called today). It was given every year from 1963 to present, with the exception of 1973.
What Comes Next Is the Future is a documentary film about the web created by Bearded founder Matt Griffin. It is the story of Tim Berners-Lee’s creation – how it came to be, where it’s been, and where it’s going – as told by the people who build it. In the film, Griffin knits together a narrative by mining dozens of conversations with important figures from throughout the web’s history including Jeffrey Zeldman, Denise Jacobs, Tim Berners-Lee, Ethan Marcotte, Chris Wilson, Lyza Danger Gardner, Eric Meyer, Irene Au, Alex Russell, Trent Walton, Val Head, Jonathan Snook and many more.
In life, these things are certain: If a balloon lands on a cactus, it will pop. If you point a fan at a house of cards, the cards will fall. If you happen to drop a piece of toast, it will inevitably land jam-side down. (OK, so that last one isn’t always a given—but it definitely feels that way.)
These are a few of the inevitabilities that graphic designer Florent Porta subverts in his new film, Preposterous. “I really like old cartoons, humor, and absurd things,” he says. Set against sherbet colored backdrops, his 50-second animated short is full of expectation-defying moments crafted in Cinema 4D. Instead of the balloon popping, the cactus crumbles; instead of the cards falling, the fan blows itself backwards; miraculously, the piece of toast lands on its dry side.
It’s time to change our minds about data. Information designer Giorgia Lupi says, “We jump to think that data is about algorithms — (but) data is about people, when it matters.” Lupi uses slow data, small data, crafted data and data-gathering as personal documentary to become more, not less human.
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