The Fascinating Sonic Illusion That Makes Christopher Nolan's Movies So Tense
/Why Christopher Nolan is obsessed with Shepard tones.
Where Do Ideas Come From?
/A short film about the mysteries of inspiration. Featuring thoughts on the subject by: David Lynch Robert Krulwich Chuck Close Tracy Clayton & Heben Nigatu Ray Barbee Lulu Miller Susan Orlean and a couple of kids named Mason and Ursula Presented by www.transom.org With funding from The National Endowment for the Arts For more about this video, visit: http://transom.org/2017/where-do-ideas-come-from/
The Grift: Maria Konnikova's new podcast
/Maria Konnikova's new podcast:
Welcome to The Grift, a show about con artists and the lives they ruin. Best-selling author and New Yorker writer Maria Konnikova takes us to the darker side of human nature and deceit. Ten stories about card sharks, cult leaders, art forgers, impostors and more. Why do we fall for them time and time again?
The Surprisingly Short Life of Viral Social Movements
/Sander van der Linden for Scientific American, on viral altruism and how most social charity campaigns spread fast but burn out faster:
In competing for the public's rapidly shifting attention span, mobilizing audiences to large-scale collective action is a daunting task. Viral social campaigns can effectively capture the attention and support of mass audiences, but in order to make viral altruism stick, more gradual and deeper engagement with a social cause is required over a sustained period of time.
What's in a Brand Name?
/James Surowiecki for The New Yorker:
In October of 1955, a marketing researcher at Ford named Robert Young wrote the poet Marianne Moore a curious letter. Ford had designed a new car, which it hoped would revolutionize the industry, and it was struggling to find a good name. Young said that the options his division had come up with were “characterized by an embarrassing pedestrianism.” Perhaps a poet could devise something to convey, “through association or other conjuration, some visceral feeling of elegance, fleetness, advanced features and design.” In the following months, Moore sent Ford a long list of suggestions that were anything but pedestrian: Intelligent Bullet, Ford Fabergé, Mongoose Civique, Bullet Cloisoné, Utopian Turtletop. Ford, unsurprisingly, didn’t go for any of them. Instead, after considering more than six thousand names, it settled on one that has since become a byword for failure: Edsel.
Still, in going to such lengths to find a great name, Ford was ahead of the curve. Corporate branding is now big business, and companies routinely spend tens of millions of dollars rebranding themselves or coming up with names for new products. And good monikers are still defined by Young’s precept that a name should somehow evoke the fundamental qualities that you hope to advertise. If only Tribune Publishing—the media company that owns the Los Angeles Timesand the Chicago Tribune—had followed this simple rule. Earlier this year, Tribune announced that it was reinventing itself as a “content curation and monetization company focused on creating and distributing premium, verified content” (whatever that means) and giving itself a new name: Tronc. The name, which stands for Tribune Online Content, was ridiculed at the time and hasn’t done the company any favors since. Tronc has spent most of the year in talks about being bought by Gannett for more than half a billion dollars. Last week, the deal fell through, because of a lack of financing. After all, just imagine asking bankers for half a billion to buy something called Tronc.