Teaching robots right from wrong

The cover story on The Economist 1843. "Artificial intelligence is outperforming the human sort in a growing range of fields – but how do we make sure it behaves morally? Simon Parkin meets the men trying to teach ethics to computers":

In 2017, this is an urgent question. Self-driving cars have clocked up millions of miles on our roads while making autonomous decisions that might affect the safety of other human road-users. Roboticists in Japan, Europe and the United States are developing service robots to provide care for the elderly and disabled. One such robot carer, which was launched in 2015 and dubbed Robear (it sports the face of a polar-bear cub), is strong enough to lift frail patients from their beds; if it can do that, it can also, conceivably, crush them. Since 2000 the US Army has deployed thousands of robots equipped with machineguns, each one able to locate targets and aim at them without the need for human involvement (they are not, however, permitted to pull the trigger unsupervised).
Public figures have also stoked the sense of dread surrounding the idea of autonomous machines. Elon Musk, a tech entrepreneur, claimed that artificial intelligence is the greatest existential threat to mankind. Last summer the White House commissioned four workshops for experts to discuss this moral dimension to robotics. As Rosalind Picard, director of the Affective Computing Group at MIT puts it: “The greater the freedom of a machine, the more it will need moral standards.”

 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Grift: Maria Konnikova's new podcast

Maria Konnikova's new podcast:

Welcome to The Grift, a show about con artists and the lives they ruin. Best-selling author and New Yorker writer Maria Konnikova takes us to the darker side of human nature and deceit. Ten stories about card sharks, cult leaders, art forgers, impostors and more. Why do we fall for them time and time again?

 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Font That Escaped The Nazis And Landed On The Moon

Futura is familiar. But its journey from avant-garde German type to hipster favorite is unusual — and it includes Nazis and the moon.

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

How the BBC makes Planet Earth look like a Hollywood movie

The technology behind the cinematic style of the BBC's Planet Earth II.
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Surprisingly Short Life of Viral Social Movements

Sander van der Linden for Scientific American, on viral altruism and how most social charity campaigns spread fast but burn out faster: 

In competing for the public's rapidly shifting attention span, mobilizing audiences to large-scale collective action is a daunting task. Viral social campaigns can effectively capture the attention and support of mass audiences, but in order to make viral altruism stick, more gradual and deeper engagement with a social cause is required over a sustained period of time.

 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.