Everything is a Remix: The Force Awakens
/Kirby Ferguson continues the Everything is a Remix series with a look at Star Wars.
Exploring the ways in which artists, artisans and technicians are intelligently expressing their creativity with a passion for culture, technology, marketing and advertising.
Kirby Ferguson continues the Everything is a Remix series with a look at Star Wars.
The New York Times explores innovation:
The truth is, this isn’t a debate that can be settled objectively. Which was a more important innovation: indoor plumbing, jet air travel or mobile phones? You could argue for any of them, and data can tell plenty of different stories depending on how you look at it. Productivity statistics or information on inflation-adjusted incomes is helpful, but can’t really tell you whether the advent of air-conditioning or the Internet did more to improve humanity’s quality of life.
We thought a better way to understand the significance of technological change would be to walk through how Americans lived, ate, traveled, and clothed and entertained themselves in 1870, 1920, 1970 and the present. This tour is both inspired by and reliant on Robert J. Gordon’s authoritative examination of innovation through the ages, “The Rise and Fall of American Growth,” published this year. These are portraits of each point in time, culled from Mr. Gordon’s research; you can decide for yourself which era is truly most transformative.
Boredom manifests itself in more than yawns and glazed eyes. Subtle body cues called noninstrumental movements—squirming, scratching, shifting—also give away a person's mental state. Like teachers and other public speakers, machines can now also pick up on these telltale signs of restlessness. A new study reveals that when computer users tune in to on-screen material, their fidgeting lessens—and algorithms can use that information to discern attentiveness in real time.
To measure engagement, psychobiologist Harry Witchel of Brighton and Sussex Medical School in England and his colleagues outfitted 27 participants with motion-tracking markers that a computer's visual system could follow. The participants then read digital excerpts from a novel by Mark Haddon, The Curious Incident of the Dog in the Night-Time, and from the European Banking Authority's regulations. Based on motion in the head, torso and legs, the computer could tell when a person had mentally checked out. In fact, an analysis of the cumulative movements revealed that when people read from the novel, they fidgeted nearly 50 percent less than when reading the banking guidelines.
Suddenly, going out to an interesting meal became as significant a piece of entertainment in northern California as going to the opera. Food came to the forefront of culture and people talked about it and enjoyed it. Then Wolfgang Puck stormed in and made it very hip to go out to dinner in Los Angeles—not just to eat but to be seen. Suddenly, the nexus of society moved from the inner circle at the opera house to the five cool tables at Spago. It was important for the rich and baronial to be in the rich and baronial spot or they would be mocked by their peers.And then the Food Network came along with guys like Emeril {2}. That’s when, all of a sudden, a lot of voices and personalities came out. There were some that were very successful and there were some that weren’t. There are hundreds of shows that I could list where there was someone on TV for a little while, and then they were gone. But what happened when these chefs started appearing on TV is that people would have a favorite cook in the same way someone would have a favorite first baseman. Then they would go to those chefs’ restaurants and they learned that these different points of view were there. Mine happened to be kind of traditional basic Italian. Emeril’s was New Orleans and “Hey you, wake up, bam! I’m gonna show you how to impress your family, your chicks, whomever it is that you want to impress.”
99u:
From the earliest age, we’re taught to strive for perfection. We’re supposed to attend the best schools, get straight A’s, and win Olympic gold medals while we’re at it. To achieve this, we need to have impeccable grades, flawless technique, and unmatchable skills. Once in a while, our society makes a half-hearted attempt to say, “be who you are,” but it’s usually within the context of a winner’s story — someone who wasn’t pitch perfect on paper but still ended up on top anyway.Talk to career artists and art directors, however, and they’ll tell you that the key to getting commissions and hired full-time isn’t artistic perfection — it’s artistic expression. Those that hire creative talent want, and pay handsomely for one-of-a-kind voices that shock, provoke, scream, joke, and wow — even if they are a little messy at times. Speaking in your own voice is the smartest thing you can do to distinguish yourself from the crowd. And let’s be honest, it’s much more fun. Someone can always come along and be a “better” artist than you, but no one can take away your style. It’s defensible, something you can lean back on regardless of trends and something you can sell that others can’t (one-of-a-kind = more valuable!).
There's nothing more boring than perfect.
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