Brené Brown On Sweaty Creatives, The Perspiration From Fear And Dealing With Critics.

Over the years, since I saw her original TED Talk, I've tried to take Brown's advice to heart. 

There is nothing more frightening than the moment we expose our ideas to the world. In this presentation at the 99U Conference, author and vulnerability researcher Brené Brown shows us how to deal with the critics and our own self-doubt by refusing to “armor up” and shut ourselves off. “Not caring what people think,” she says, “is its own kind of hustle.”

Instead we must “reserve a seat” for the critics and our own self-doubt. “Tell them, I see you, I hear you, but I’m going to do this anyway.”  

Radiolab Live: Apocalyptical

The great Radiolab podcast puts on a show, recorded live on stage in Seattle.

Dinosaurs, death, and destruction -- a thought-provoking and laughter-inducing dance on the grave of our inevitable demise. 

Cataclysmic destruction. Surprising survival. Radiolab turns its gaze to the topic of endings, both blazingly fast and agonizingly slow, in its live show Apocalyptical. With their signature blend of storytelling, science, and music, hosts Jad Abumrad and Robert Krulwich romp through hundreds of millions of years of history to arrive at the end, again and again. Comedians Reggie Watts and Kurt Braunohler join the party, while musicians On Fillmore and Noveller create a cinematic live score before your eyes. 

Leonardo Da Vinci's "Viola Organista" is heard for the first time, after 500 years

A bizarre instrument combining a piano and cello has finally been played to an audience more than 500 years after it was dreamt up Leonardo da Vinci.

Da Vinci, the Italian Renaissance genius who painted the Mona Lisa, invented the ‘‘viola organista’’ - which looks like a baby grand piano – but never built it, experts say.

The viola organista has now come to life, thanks to a Polish concert pianist with a flair for instrument-making and the patience and passion to interpret da Vinci’s plans.

Full of steel strings and spinning wheels, Slawomir Zubrzycki’s creation is a musical and mechanical work of art.

Alain de Botton: Art for Life's Sake

Alain de Botton, one of my favorite writers and philosophers, writing for The Wall Street Journal: 

If art is to deserve its privileges (and it does), we have to learn how to state more clearly what it is for and why it matters in a busy world. I would argue that art matters for therapeutic reasons. It is a medium uniquely well suited to helping us with some of the troubles of inner life: our desire for material things, our fear of the unknown, our longing for love, our need for hope.

We are used to the idea that music and (to an extent) literature can have a therapeutic effect on us. Art can do the very same thing. It, too, is an apothecary for the soul. Yet in order for it to act as one, we have to learn to consider works through more personal, emotionally rich lenses than museums and galleries employ. We have to put aside the customary historical reading of works of art in order to invite art to respond to certain quite specific pains and dilemmas of our psyches.

The article concludes with "a selection of works of art juxtaposed with the intimate issues of life which we might fruitfully bring to them."
 

George Balanchine and NYC Ballet

Hopeless romantic, pure classicist, intellectual modernist — find out how George Balanchine's many different sides come across in his extraordinary body of work, and how he established the first truly American ballet company

More on NYC Ballet:

 • Getting To Know NYC Ballet
 • New Beginnings: NYC Ballet's 9/11 Tribute
 • The Icon in the Costume Shop: Valentino at NYC Ballet