Kurt Vonnegut on how to write a short story
/Advice from Vonnegut, because today everything is storytelling.
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Advice from Vonnegut, because today everything is storytelling.
In the aftermath of the Paris terror attacks, the award-winning illustrator and writer team up to present the artist’s creed in the face of atrocity.
Maria Konnikova, The New Yorker:
Psychologists have long known that first impressions really do matter—what we see, hear, feel, or experience in our first encounter with something colors how we process the rest of it. Articles are no exception. And just as people can manage the impression that they make through their choice of attire, so, too, can the crafting of the headline subtly shift the perception of the text that follows. By drawing attention to certain details or facts, a headline can affect what existing knowledge is activated in your head. By its choice of phrasing, a headline can influence your mindset as you read so that you later recall details that coincide with what you were expecting. For instance, the headline of this article I wrote—”A Gene That Makes You Need Less Sleep?”—is not inaccurate in any way. But it does likely prompt a focus on one specific part of the piece. If I had instead called it “Why We Need Eight Hours of Sleep,” people would remember it differently.
Worldbuilders let people who donated money to them vote on what I would read if they hit $600,000. They did reach that goal, and they voted. It was between Goodnight Moon, Fox in Socks, Where the Wild Things Are and Jabberwocky. Jabberwocky won. So I got up this morning and headed, sleep-bleary, out into the woods to record myself reciting it... You can donate to Worldbuilders at worldbuilders.org. And you should.
“This is huge,” said Eric Rasmussen, an American Shakespeare expert who traveled to France over the weekend to authenticate the volume. “First folios don’t turn up very often, and when they do, it’s usually a really chewed up, uninteresting copy. But this one is magnificent.”
The book was discovered this fall by librarians at a public library in St.-Omer, near Calais, who were sifting through its collections for an exhibition on English-language literature. The title page and other introductory material were torn off, but Rémy Cordonnier, the director of the library’s medieval and early modern collection, suspected that the book — cataloged as an unexceptional old edition — might in fact be a first folio.
He called in Mr. Rasmussen, a professor at the University of Nevada in Reno and the author of “The Shakespeare First Folios: A Descriptive Catalogue,”who identified it within minutes.
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