The Evolution of Stop-Motion

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 Vugar Efendi:
With the release of Kubo and the Two Strings, it is a perfect moment to go back in time and see the evolution of stop-motion animation throughout the years.
The films included are:
- The Enchanted Drawing (1900)
-Fun at the Bakery Shop (1902)
-El Hotel Electrico (1905)
-Humorous Phases of Funny Faces (1906)
-The Cameraman's Revenge (1912)
-The Night before Christmas (1913)
-Häxan (1922)
-The Lost World (1925)
-The Tale of Fox (1930 version)
-King Kong (1933)
-The New Gulliver (1935)
-The Beast from 20,000 Fathoms (1953)
-It Came Beneath The Sea (1955)
-Earth vs Flying Saucers (1956)
-The Seventh Voyage of Sinbad (1958)
-Jason and the Argonauts (1963)
-Closed Mondays (1975)
-Star wars IV: A New Hope (1977)
-Star Wars V: Empire Strikes Back (1980)
-Clash of the Titans (1981)
-The Terminator (1984)
-Robocop (1987)
-Beetlejuice (1988)
-Wallace and Gromit: A grand day out (1990)
-The Secret Adventures of Tom Thumb (1993)
-The Nightmare Before Christmas (1993)
-James and the Giant Peach (1996)
-Chicken Run (2000)
-Corpse Bride (2005)
-Coraline (2009)
-Mary and Max (2009)
-Fantastic Mr.Fox (2009)
-The Pirates! In an Adventure with Scientists! (2012)
-Paranorman (2012)
-Frankenweenie (2012)
-Star Wars VII: The Force Awakens (2015)
-The Little Prince (2015)
-Anomalisa (2015)
-Kubo and the Two Strings (2016)
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Making of Movie Titles

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Title designer Dan Perri explains how he designed movie titles for films such as "Star Wars," "The Exorcist," and "Raging Bull."

In the Future, We Will Photograph Everything and Look at Nothing

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As a result, photos are less markers of memories than they are Web-browser bookmarks for our lives. And, just as with bookmarks, after a few months it becomes hard to find photos or even to navigate back to the points worth remembering. Google made hoarding bookmarks futile. Today we think of something, and then we Google it. Photos are evolving along the same path as well.

 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

How Alfred Hitchcock Blocks A Scene

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Spielberg in 30 Shots

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Jacob T. Swinney:

Before I knew what a director was, I knew who Steven Spielberg was. I believe that this is partially due to the fact that Spielberg has crafted some of the most iconic shots in all of cinema. Many filmmakers have that one signature shot that will forever solidify them in film history-- Spielberg has dozens.

This video showcases the work of Steven Spielberg in 30 memorable shots, one from each of his full-length films. From something as magical as a silhouetted bicycle streaking across the moon, to something as simple as tiny ripples in a cup of water, this is Steven Spielberg.

Films used (in order of appearance): Duel (1971) DoP: Jack A. Marta The Sugarland Express (1974) DoP: Vilmos Zsigmond Jaws (1975) DoP: Bill Butler Close Encounters of the Third Kind (1977) DoP: Vilmos Zsigmond 1941 (1979) DoP: William A. Fraker Raiders of the Lost Ark (1981) DoP: Douglas Slocombe E.T. the Extra-Terrestrial (1982) DoP: Allen Daviau Indiana Jones and the Temple of Doom (1984) DoP: Douglas Slocombe The Color Purple (1985) DoP: Allen Daviau Empire of the Sun (1987) DoP: Allen Daviau Always (1989) DoP: Mikael Salomon Indiana Jones and the Last Crusade (1989) DoP: Douglas Slocombe Hook (1991) DoP: Dean Cundey Jurassic Park (1993) DoP: Dean Cundey Schindler's List (1993) DoP: Janusz Kamiński The Lost World: Jurassic Park (1997) DoP: Janusz Kamiński Amistad (1997) DoP: Janusz Kamiński Saving Private Ryan (1998) DoP: Janusz Kamiński A.I. Artificial Intelligence (2001) DoP: Janusz Kamiński Minority Report (2002) DoP: Janusz Kamiński Catch Me If You Can (2002) DoP: Janusz Kamiński The Terminal (2004) DoP: Janusz Kamiński War of the Worlds (2005) DoP: Janusz Kamiński Munich (2005) DoP: Janusz Kamiński Indiana Jones and the Kingdom of the Crystal Skull (2008) DoP: Janusz Kamiński The Adventures of Tin-Tin (2011) DoP: Janusz Kamiński War Horse (2011) DoP: Janusz Kamiński Lincoln (2012) DoP: Janusz Kamiński Bridge of Spies (2015) DoP: Janusz Kamiński The BFG (2016) DoP: Janusz Kamińsk

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.