Seth Godin: Keep Making a Ruckus

In this wide-ranging question and answer session, bestselling author Seth Godin advocates us to be bold. Whether it’s a toxic work culture or stagnation in your craft, Godin urges us all to recapture the child-like delight in taking a risk.

“You may know how to use fancy design tools, but if there isn’t that leap that leads to connection, it doesn’t matter….you’re not making art,” says Godin. “We didn’t build stuff because we need more beautifully laid out menus. We did it because people want to be touched, noticed, and connected.”

Apple’s Jonathan Ive in Conversation with Vanity Fair’s Graydon Carter

The full discussion from Vanity Fair’s New Establishment Summit.

James Victore and Ben Barry: How to Build Your Own Career

In a world where there is no more “traditional path” how to we take our career where we want it to go? In this interview with 99U Director Jocelyn Glei, artist James Victore and Facebook’s Ben Barry share the lessons learned from forging their own path — both outside and inside of a larger organization. One of the first misnomers? That you need to pay your dues. “That has fear in it,” says Victore, “If you have something you love, pursue it with all of your heart and the universe will help you.”

The Psychological Comforts of Storytelling

Cody C. Delistraty, in The Atlantic, ponders "Why, throughout human history, have people been so drawn to fiction?":

Humans have been telling stories for thousands of years, sharing them orally even before the invention of writing. In one way or another, much of people’s lives are spent telling stories—often about other people. In her paper “Gossip in Evolutionary Perspective,” evolutionary psychologist Robin Dunbar found stories’ direct relevance to humans: Social topics—especially gossip—account for 65 percent of all human conversations in public places.

Stories can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives—a form of existential problem-solving. In a 1944 study conducted by Fritz Heider and Marianne Simmel at Smith College, 34 college students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.

What Is History For?

Another short film from The School of Life.