Talking Art In A Capitalist World

An excerpt from the must-read essay Acknowledging the Rhino: Talking Art In A Capitalist World by Matthew Guerrieri:

Just know this: realism, in the hard-nosed, nickels-and-dimes business sense, is a way of maintaining the status quo. [...]

Everybody in the music world, I think, subscribes to the idea that music is more than just entertainment, that it is transformative, that listeners should be changed by the experience. But in the face of the encroachment of free-market and capitalist rhetoric and values into every corner of society, that sort of talk about music has been reduced to the level of platitudes. “Music can change the world!” sounds sentimental and unrealistic. But do we believe it or not? Maybe a statement like that isn’t extravagant enough. Art’s realism is no less real than capitalism’s realism, even if the respective vocabularies stand in disparate esteem. The first step toward resolving the disparity might be, literally, to talk the talk. The danger? You might get lumped in with fools. But it’s fools who know the score; and anyone who calls you unrealistic isn’t really interested in anything beyond cosmetic changes anyway.

I continue to be reminded of the Max De Pree quote "We cannot become what we need to be by remaining what way we are."  

(via Michael Sheppard) 

Ballerinas Defined

The original Italian word “ballerina” just means “female dancer,” but it has become encrusted with layers of mysticism — primarily through the idolization accorded in Russia to ballet’s divas since the 19th century. But to be American is to be ornery, direct, unaffected. Is it possible to be American and this exotic dance vision of transcendence? Can a ballerina represent local or national characteristics in her dancing?

The questions pile up. Does the 21st century even need ballerinas? America is one of many Western societies where women fight for equality in the workplace and can no longer expect men to stand when they enter a room; same-sex marriages are now institutionalized. Ballet had a beginning; it may have an end. In particular, the practice of dancing on point may one day seem as bizarre as the bygone Chinese practicing of binding women’s feet. Do we still need an art form whose stage worlds are almost solely heterosexual and whose principal women are shown not as workers but as divinities?

I ask these questions; I don’t rush to answer them. The future of the form is to be determined not by critics but by choreographers, artistic directors and, not least, by dancers, working together. The answers they are currently providing show us a complex situation for ballet and its women.

From the must-read article All-American Goddesses: U.S. Ballerinas Redefine an Art, but What About History? by Alastair Macaulay in The New York Times. Important food for thought as the art form evolves.  

Del Close's Eleven Commandments of Improvisation→

Another great post from Open Culture, Del Close's Eleven Commandments of Improvisation: 

1. You are all supporting actors.
2. Always check your impulses.
3. Never enter a scene unless you are NEEDED.
4. Save your fellow actor, don’t worry about the piece.
5. Your prime responsibility is to support.
6. Work at the top of your brains at all times.
7. Never underestimate or condescend to your audience.
8. No jokes (unless it is tipped in front that it is a joke.)
9. Trust… trust your fellow actors to support you; trust them to come through if you lay something heavy on them; trust yourself.
10. Avoid judging what is going down except in terms of whether it needs help (either by entering or cutting), what can best follow, or how you can support it imaginatively if your support is called for.
11. LISTEN

They apply to all creative endeavors.  

Summer Reading: The School of Life

First I shared books for independent learning and the novels of Max Barry and today we delve into the books from The School of Life.  

Co-founded by one of my favorite authors, philosopher Alain de Botton:

The School of Life is a cultural enterprise offering good ideas for everyday life. We are based in Central London where we offer a variety of programmes and services concerned with how to live wisely and well. We address such questions as why work is often unfulfilling, why relationships can be so challenging, why it’s ever harder to stay calm and what one could do to try to change the world for the better.

The School of Life is a place to step back and think intelligently about these and other concerns. You will not be cornered by any dogma, but directed towards a variety of ideas - from philosophy to literature, psychology to the visual arts – that tickle, exercise and expand your mind. You’ll meet other curious, sociable and open-minded people in an atmosphere of exploration and enjoyment.

We all want to live in a better world, but sometimes it feels that we lack the ability or influence to make a difference. John-Paul Flintoff offers a powerful reminder that through the generations, society has been transformed by the actions of individuals who understood that if they didn't like something, they could change it. Combining fresh new insights from history, politics and modern culture, this book will give you a sense of what might just be possible, as well as the inspiration and the courage you need to go about improving and changing the world we live in.

An Economist Best Book of the Year

Everyone accepts the importance of physical health; isn’t it just as important to aim for the mental equivalent? Philippa Perry has come to the rescue with How to Stay Sane -- a maintenance manual for the mind.

Years of working as a psychotherapist showed Philippa Perry what approaches produced positive change in her clients and how best to maintain good mental health. In How to Stay Sane, she has taken these principles and applied them to self-help. Using ideas from neuroscience and sound psychological theory, she shows us how to better understand ourselves. Her idea is that if we know how our minds form and develop, we are less at the mercy of unknown unconscious processes. In this way, we can learn to be the master of our feelings and not their slave.

This is a smart, pithy, readable book that everyone with even a passing interest in their psychological health will find useful.

Our world is, increasingly, a digital one. Over half of the planet's adult population now spend more of their waking hours 'plugged in' than not, whether to the internet, mobile telephony, or other digital media. To email, text, tweet and blog our way through our careers, relationships and even our family lives is now the status quo. But what effect is this need for constant connection really having? For the first time, Tom Chatfield examines what our wired life is really doing to our minds and our culture - and offers practical advice on how we can hope to prosper in a digital century.

We don’t think too much about sex; we’re merely thinking about it in the wrong way.

So asserts Alain de Botton in this rigorous and supremely honest book designed to help us navigate the intimate and exciting---yet often confusing and difficult---experience that is sex. Few of us tend to feel we’re entirely normal when it comes to sex, and what we’re supposed to be feeling rarely matches up with the reality. This book argues that twenty-first-century sex is ultimately fated to be a balancing act between love and desire, and adventure and commitment. Covering topics that include lust, fetishism, adultery, and pornography, Alain de Botton frankly articulates the dilemmas of modern sexuality, offering insights and consolation to help us think more deeply and wisely about the sex we are, or aren’t, having.

Our relationship with money is one that lasts a lifetime. It can be as important as family life, as competitive as work, and as exciting and secretive as love. Yet books about money tend to take one of two routes: a) how to get more, or b) how to deal with less. This book turns these questions upside down, and looks not at money itself, but at the way we view it. How does money drive us? How does it frighten us? And how can it help us make sense of who we are? Money is too important a part of life for us not to worry about, but by approaching it differently, we can change the way we perceive its worth. With surprising and enlightening new insights, How to Worry Less About Money will help you realise what material wealth really means.

A practical and inspirational guide to examining your career and deciding whether it truly makes you happy—this book will show you the steps it takes to find a job that truly makes you thrive. 

The desire for fulfilling work is one of the great aspirations of our age. This book reveals explores the competing claims we face for money, status, and meaning in our lives. Drawing on wisdom from a variety of disciplines, cultural thinker Roman Krznaric sets out a practical guide to negotiating the labyrinth of choices, overcoming fear of change, and finding a career in which you thrive. Overturning a century of traditional thought about career change, Krznaric reveals just what it takes to find life-enhancing work.

The School of Life is dedicated to exploring life’s big questions: How can we fulfill our potential? Can work be inspiring? Why does community matter? Can relationships last a lifetime? We don't have all the answers, but we will direct you toward a variety of useful ideas—from philosophy to literature, psychology to the visual arts—that are guaranteed to stimulate, provoke, nourish, and console.

Summer Reading: Independent Learning

Whenever I meet someone new one question almost always comes up: What do you do for a living? Depending on the circumstances I tend to adjust what I say to make it clearer. If I'm talking to people in the arts I explain that my work is creative direction, marketing and operations. If I'm talking to people in marketing and advertising they understand when I say that I am a creative services director. If I'm talking to technologists I say I am a digital producer. I then try my best to explain how all those things complement each other.

But more often than not, especially with people outside the industries I work in, I introduce myself as an independent graduate student, always in the process of learning something new. 

It is in that spirit of independent learning that I present a list of great summer reads to encourage you to learn something new. Starting with Kio Stark's Don't Go Back To School: A Handbook for Learning Anything. 

In her own words: 

This book is a radical project, the opposite of reform. It is not about fixing school, it's about transforming learning - and making traditional school one among many options rather than the only option. I think all the energy and money reformers spend trying to fix school misses the real problem: we don't have a good alternative for people who want to learn without going to school, for people who don't learn well in school settings, or for those who can't afford it. 

Add to that list, people who want to continue to learn how to improve the work they do every day while satisfying their curiosity. 

Learning outside school is necessarily driven by an internal engine. I heard about how this works from people who follow their deep curiosities and immediate needs for knowledge and skills to reach personally set goals. You'll see in the chapters ahead how independent learners stick with the reading, thinking, making and experimenting by which they learn because they do it for love, to scratch an itch, to satisfy curiosity, following the compass of passion and wonder about the world. 

So, go ahead, this summer, read some books and wonder about the world.

Here is a radical truth: school doesn’t have a monopoly on learning. More and more people are passing on traditional education and college degrees. Instead they’re getting the knowledge, training, and inspiration they need outside of the classroom. Drawing on extensive research and talking to over 100 independent learners, Kio Stark offers the ultimate guide to learning without school. Don’t Go Back to School tells you how to learn what you need to learn in order to do what you need to do, without having to bend your life or your finances to fit into traditional schooling. This inspiring and practical guide provides concrete strategies and resources for getting started as an independent learner. Don’t Go Back to School is essential reading if you’re considering traditional higher education—and if you’re ready to become an independent learner.

Featuring 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. 

The world has changed and the way we work has to change, too. With wisdom from 20 leading creative minds, Manage Your Day-to-Day will give you a toolkit for tackling the new challenges of a 24/7, always-on workplace.

Featuring contributions from: Dan Ariely, Leo Babauta, Scott Belsky, Lori Deschene, Aaron Dignan, Erin Rooney Doland, Seth Godin,Todd Henry, Christian Jarrett, Scott McDowell, Mark McGuinness, Cal Newport, Steven Pressfield, Gretchen Rubin, Stefan Sagmeister, Elizabeth G. Saunders, Tony Schwartz, Tiffany Shlain, Linda Stone, and James Victore.

In May 2012, bestselling author Neil Gaiman delivered the commencement address at Philadelphia’s University of the Arts, in which he shared his thoughts about creativity, bravery, and strength. He encouraged the fledgling painters, musicians, writers, and dreamers to break rules and think outside the box. Most of all, he encouraged them to make good art.

The book Make Good Art, designed by renowned graphic artist Chip Kidd, contains the full text of Gaiman’s inspiring speech.

You don’t need to be a genius, you just need to be yourself. That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side.

When Mr. Kleon was asked to address college students in upstate New York, he shaped his speech around the ten things he wished someone had told him when he was starting out. The talk went viral, and its author dug deeper into his own ideas to create Steal Like an Artist, the book. The result is inspiring, hip, original, practical, and entertaining. And filled with new truths about creativity: Nothing is original, so embrace influence, collect ideas, and remix and re-imagine to discover your own path. Follow your interests wherever they take you. Stay smart, stay out of debt, and risk being boring—the creative you will need to make room to be wild and daring in your imagination.

Research in psychology has revealed that our decisions are disrupted by an array of biases and irrationalities: We’re overconfident. We seek out information that supports us and downplay information that doesn’t. We get distracted by short-term emotions. When it comes to making choices, it seems, our brains are flawed instruments. Unfortunately, merely being aware of these shortcomings doesn’t fix the problem, any more than knowing that we are nearsighted helps us to see. The real question is: How can we do better?

In Decisive, the Heaths, based on an exhaustive study of the decision-making literature, introduce a four-step process designed to counteract these biases. Written in an engaging and compulsively readable style, Decisive takes readers on an unforgettable journey, from a rock star’s ingenious decision-making trick to a CEO’s disastrous acquisition, to a single question that can often resolve thorny personal decisions.

Along the way, we learn the answers to critical questions like these: How can we stop the cycle of agonizing over our decisions? How can we make group decisions without destructive politics? And how can we ensure that we don’t overlook precious opportunities to change our course?　

The notion of the brand, like any concept that dominates markets and public consciousness, is a challenge to define. Is it a simple differentiator of the cereals in our cupboards, a manipulative brainwashing tool forced on us by corporations, or a creative triumph as capable as any art form of stimulating our emotions and intellect? 

For those of us who grapple with these questions on a daily basis, Brand Thinking and Other Noble Pursuits elevates the discussion to the level of revelation. Each chapter is an extensive dialogue between Debbie Millman, herself a design visionary, and a different leader in the field. By asking questions deeply informed by her own expertise, Millman coaxes lucid, prescient answers from twenty-two interview subjects, among them Malcolm Gladwell, Tom Peters, Seth Godin, and godfather of modern branding Wally Olins. 

This engaging and enlightening book is an unprecedented forum on the state of modern branding and how companies and consumers can best understand the behavior behind why we brand and why we buy.

This is the moment we’ve been waiting for, explains award-winning media theorist Douglas Rushkoff, but we don’t seem to have any time in which to live it. Instead we remain poised and frozen, overwhelmed by an always-on, live-streamed re­ality that our human bodies and minds can never truly in­habit. And our failure to do so has had wide-ranging effects on every aspect of our lives.

People spent the twentieth century obsessed with the future. We created technologies that would help connect us faster, gather news, map the planet, compile knowledge, and con­nect with anyone, at anytime. We strove for an instanta­neous network where time and space could be compressed.

Well, the future’s arrived. We live in a continuous now en­abled by Twitter, email, and a so-called real-time technologi­cal shift. Yet this “now” is an elusive goal that we can never quite reach. And the dissonance between our digital selves and our analog bodies has thrown us into a new state of anxiety: present shock.

According to the U.S. Bureau of Labor Statistics, one in nine Americans works in sales. Every day more than fifteen million people earn their keep by persuading someone else to make a purchase.

But dig deeper and a startling truth emerges:

Yes, one in nine Americans works in sales. But so  do the other eight.

Whether we’re employees pitching colleagues on a new idea, entrepreneurs enticing funders to invest, or parents and teachers cajoling children to study, we spend our days trying to move others. Like it or not, we’re all in sales now.

To Sell Is Human offers a fresh look at the art and science of selling. As he did in Drive and A Whole New Mind, Daniel H. Pink draws on a rich trove of social science for his counterintuitive insights. He reveals the new ABCs of moving others (it's no longer "Always Be Closing"), explains why extraverts don't make the best salespeople, and shows how giving people an "off-ramp" for their actions can matter more than actually changing their minds.

Along the way, Pink describes the six successors to the elevator pitch, the three rules for understanding another's perspective, the five frames that can make your message clearer and more persuasive, and much more. The result is a perceptive and practical book--one that will change how you see the world and transform what you do at work, at school, and at home.