What Hollywood Can Teach Us About the Future of Work

Planet Money's Adam Davidson uses Hollywood as an example to demonstrate how the future of work will be project based, in The New York Times: 

Our economy is in the midst of a grand shift toward the Hollywood model. More of us will see our working lives structured around short-­term, project-­based teams rather than long-­term, open­-ended jobs. There are many reasons this change is happening right now, but perhaps the best way to understand it is that we have reached the end of a hundred-­year fluke, an odd moment in economic history that was dominated by big businesses offering essentially identical products. Competition came largely by focusing on the cost side, through making production cheaper and more efficient; this process required businesses to invest tremendous amounts in physical capital — machines and factories — and then to populate those factories with workers who performed routine activities. Nonmanufacturing corporations followed a similar model: Think of all those office towers filled with clerical staff or accountants or lawyers. That system began to fray in the United States during the 1960s, first in manufacturing, with the economic rise of Germany and Japan. It was then ripped apart by Chinese competition during the 2000s. Enter the Hollywood model, which is far more adaptable. Each new team can be assembled based on the specific needs of that moment and with a limited financial commitment.

Paula Scher's Productivity Trick

In Fast Company Scher discusses her worst jobs, her biggest challenge as a designer, and her productivity secret:

I have a productivity trick that I didn’t know I had until I heard about it on a radio program. NPR did this interview with experts about boredom. iPhones and other forms of digital media were disrupting boredom, because people can occupy themselves all the time. You don’t have any more downtime—you go on your iPhone, look at email, or you’re playing video games. The fact of the matter is, that eats up really good creative time. I realize that when I’m sitting in a taxicab in traffic, or on my way to the airport, or waiting to get on a plane, or trapped in some other boring situation, that’s when I get the best ideas, because I’ve got nothing else interfering with it. I didn’t realized until I listened to that broadcast how important boredom is to me. I have to stop reading emails or being anywhere near the internet to be able to create.

Kermit The Frog's TED Talk on Creativity

Kermit the Frog is an entertainment icon known worldwide for his appearances on The Muppet Show and Sesame Street, as well as a number of feature films. He attributes much of his success to his thirty-five year partnership with Mississippi native and entertainment visionary, Jim Henson. Kermit has received many honors and accolades for his work, including multiple Academy Award nominations, a star on the Hollywood Walk of Fame, and a commemorative stamp from the U.S. Postal Service.

Rethinking Ballet

Ballet originated in the Italian Renaissance courts of the 15th century. Over the past six centuries ballet has evolved to include classical, neo-classical, and contemporary styles of movement. The versatility seen in the ballet companies of today is far different from what most people perceive ballet to be.

First and Final Frames

A fantastic supercut by Jacob T. Swinney. Structurally speaking a good story begins at the end and ends at the beginning, keeping a cycle going: 

What can we learn by examining only the first and final shot of a film? This video plays the opening and closing shots of 55 films side-by-side. Some of the opening shots are strikingly similar to the final shots, while others are vastly different--both serving a purpose in communicating various themes. Some show progress, some show decline, and some are simply impactful images used to begin and end a film.