A History of the Title Sequence

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WINNER OF THE VIMEO AWARDS 2012 in CATEGORY MOTION GRAPHICS! Thanks so much for voting everyone! Watch a short 1 min. making of here, which was shown at the awards: vimeo.com/44046584 Graduation project 2011 Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed. This film refers to elements such as the cut and shifted characters of Saul Bass' Psycho title, the colored circles of Maurice Binder's design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount. This title sequence refers to the following designers and their titles: Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes CREDITS Direction and Animation: Jurjen Versteeg / www.synple.nl Music and sound design: Lea Jurida / www.jurida.com Many thanks to all the people who helped me realizing this project! For some more info on the concept and the production process, please check out the interview on 'Forget the Film, Watch The Titles': http://bit.ly/pzvXXE Watch a short 1min. making of here: vimeo.com/44046584

Designed by Jurjen Versteeg as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed. 

This film refers to elements such as the cut and shifted characters of Saul Bass' Psycho title, the colored circles of Maurice Binder's design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount. 

This title sequence refers to the following designers and their titles:

Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes

(via Quipsologies)

I love title sequences and this short film is a master class in the artform. Jurjen should use this film to create a Kickstarter project and actually produce the documentary. 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Resale Right - Short animation explaining visual arts rights management

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présenté par ADAGP - société des auteurs dans les arts graphiques et plastiques réalisation: pierre-emmanuel lyet graphisme: pierre-emmanuel lyet direction artistique: joris clerté scénario: anne jaffrennou animation: jean-yves castillon stagiaire: claire ledru conformation & étalonnage: stéphane jarreau studio d'animation: doncvoilà voix: henry samuel translation: simon pare studio son & habillage sonore: tabaskko - bruno guéraçague production: petite ceinture / virginie giachino & chloé machenaud

Le droit de suite (The Resale Right) — VA from Pierre-Emmanuel Lyet on Vimeo

“The ADAGP is the French collective rights management society in the field of the visual arts (painting, sculpture, photography, multimedia, etc.). It represents almost 80,000 artists. They asked for a film that explains what the resale right is.”

Directed by Pierre-Emannuel Lyet, and made at French animation studio doncvoila.
Full credit list can be found on the Vimeo page.

via motionographer.com
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Kinetic typography animation that manages to render a very complex issue clearly and beautifully. 
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

William Joyce, Ex-Pixar Designer, Creates Astounding Kids' Book For The iPad

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"The Fantastic Flying Books of Mr. Morris Lessmore" is like a well-written bedtime story and an immersive animated movie at once. Every page has some delightful, hidden feature embedded into it.

 

 

Part of why the book works so well is its top-shelf creative pedigree: author William Joyce is also an accomplished illustrator and animator who's published New Yorker covers, won a bunch of Emmys, created character designs for some of Pixar's first animated classics, and worked on many others for Dreamworks and Disney. With his cohorts at Moonbot Studios, he created an interactive book-app around the story and a standalone animated film -- so you can experience "The Fantastic Flying Books of Mr. Morris Lessmore" however you like.

via fastcodesign.com

Truly delightful and beautiful book/app/experience. 

Inspired, in equal measures, by Hurricane Katrina, Buster Keaton, The Wizard of Oz, and a love for books, “Morris Lessmore” is a story of people who devote their lives to books and books who return the favor. "The Fantastic Flying Books of Mr. Morris Lessmore" is a poignant, humorous allegory about the curative powers of story. Using a variety of techniques (miniatures, computer animation, 2D animation) award winning author/ illustrator William Joyce and Co-director Brandon Oldenburg present a hybrid style of animation that harkens back to silent films and M-G-M Technicolor musicals. “Morris Lessmore” is old fashioned and cutting edge at the same time.

The following are part 1-4 of The Making of "Morris Lessmore" with the final parts coming soon. 





 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Punchdrunk and how to "Sleep No More"

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Felix Barrett and Maxine Doyle, from the British troupe Punchdrunk, discuss creating the interpretive, interactive theater piece “Sleep No More.” Over 100 rooms are on display in a renovated space in New York’s Chelsea gallery district, and accompanied by an eerie soundtrack, masked audience members walk at through the rooms, where performers re-enact scenes from Shakespeare’s “Macbeth.”
via The Leonard Lopate Show

 

I've spent most of my life marketing, producing and supporting the arts, in particular dance. I am also a technology-loving nerd, sharing a lot online, currently working with digital development teams. We talk about augmented reality and social networking and everything being media, but none of that compares to what "Sleep No More" accomplishes.

In short, this production is the most extraordinary and wonderful (in the true, honest sense of both words) that I've experienced in recent years, if not in my whole life.

It is wordless Shakespeare, living film noire, the best of contemporary dance, true augmented reality, masterful storytelling, respectful homage, detailed design, adult entertainment (by which I mean it provokes thought beyond the nudity that it does have, which is more like the nudes in paintings by masters,) and that is not even taking in consideration the technical requirements needed to produce and perform such a "play" every night.

Kirby Ferguson is right, everything is a remix, and Punchdrunk have taken the performing arts and remixed them creating something completely new, yet familiar, and absolutely spellbinding. 

 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Introducing Bjork's Gameleste, a bespoke Gamelan Celeste Hybrid

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The epic Bjork Biophilia experience includes a live show, studio album, a new web site, a documentary, and a collection of iPad apps. 

Part of the Biophilia project sees Bjork commissioning the creation of new instruments, including the Gameleste. Part Gamelan, part Celeste, it’s the first of its kind. The mutant instrument can be played remotely via a MIDI keyboard. Watch the making-of below. 

Björk commissioned several custom instruments for the shows surrounding the release of 'Biophilia' - one is a hybrid gamelan celeste; the original steel bars of a vintage orchestral celeste were replaced with bronze tonebars hand-made by UK cymbalsmith Matt Nolan, and the instrument was rebuilt and MIDIfied by Iceland's top organ-maker, Björgvin Tòmasson. This is a 2-minute brief montage of the making of the 'Gameleste' Camera: Andy McCreeth Editing: Andy McCreeth and Matt Nolan Soundtrack Music: Matt Nolan

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.