Exploring the ways in which artists, artisans and technicians are intelligently expressing their creativity with a passion for culture, technology, marketing and advertising.
This is a nice presentation from "Account Planning Guru", Paul Feldwick, from a London TEDx conference, where he provides an interesting perspective on the problems surrounding the definition of creativity.
He touches on the obvious problem of its very intangibility making it a tough concept for business to grasp, but goes on to explain how he thinks its been wrongly pigeon-holed in the "innovation" space, which implies breakthrough thinking.
• YouTube, with its ability to catapult someone from obscurity into infamy, launched new music careers, helped change what an advertising campaign is, took over the Guggenheim, and served as the depository of raw ingredients for a multitude of remixes and mashups.
• Paste Magazine compiled the best 25 music videos of the year. However this year, thanks to new technologies and the influence of the social layer, the music video was reborn as something that you engage with and not just watch: Sour/Mirror connected to your Twitter and Facebook stream; You Make Me Feel changed based on your local weather; Killing Me let users tell the world what was, well, killing them, via the hashtag #killingme; We Dance To The Beat let you create your own version of a video via an audio visual beat machine; Soy Tu Aire, has painterly mouse action; but the most surprising and exciting music video (should they really be called videos when they are this engaging?) was the perfect experimental mix of technology, artistry and innovation in the poignant and absolutely personal The Wilderness Downtown.
• Many websites transitioned from Flash to HTML5 giving it a lot of momentum. Due largely to iOS devices not supporting Flash, and now even the Macbook Air ships without support for it, 2010 was the year when HTML5 began to make its presenceknown.
• In addition to all the advancements of the digital world, there is still extraordinary print work being produced and FPO compiles The Best of 2010.
Info on the full exhibition of art that includes animation and figurative works visit: www.conteanimated.com
Behind the scenes rough cut here: http://vimeo.com/16330140 and final cut here: http://vimeo.com/21096567
A glimpse into the creative process behind the Ryan Woodward animation "Thought of You".
Here’s a short 5 minute preview of the documentary that will accompany the animation, Thought of You, on a DVD to be released sometime in the future. The documentary was filmed and cut by Cambell Christensen:
My graduation film at Bezalel, the Academy of Arts and Design, Jerusalem.
Narrator: David Lockard.
o 2010 - Haifa International Film Festival, Haifa - First prize for animated film.
o 2010 - Encounters, Bristol.
o 2011 - Animfest, Athens.
o 2011 - Anifest, Teplice.
o 2011 - Sehsüchte, Potsdam.
o 2011 - Pinkapple, Zurich.
o 2011 - Kashish, Mumbai.
o 2011 - Inside Out, Toronto.
o 2011 - TLVFest, Tel Aviv.
o 2011 - Iris Prize, Cardiff.
o 2011 - Anifest, Mumbai.
o 2011 - Anim'est, Bucharest - Special Mention for a Student Film.
o 2011 - Pisaf, Bucheon (South Korea). YOO Kwang Sun Prize.
o 2011 - BAF, Bradford.
o 2011 - Etiuda&Anima, Krakow
o 2012 - Tel Aviv International Film Festival, Tel Aviv
o 2012 - Hiroshima, Hiroshima
o 2012 - LIAF, London
In an exquisite short film, animator Yoav Brill of Tel Aviv, Israel, tells a story entirely with dots. “Ishihara” draws its name and inspiration from the visual tests used to detect color blindness. The story becomes a poignant reflection on difference.
Aardman Animations created this cute little animation for the Encounters Festival in Bristol. The film plays on the mystery that surrounds the identity of one of the city's most famous sons: Banksy.
The film was created by Aardman director and animator Chopsy, and was commissioned by the Encounters Festival for the Grafitti Animation section, appropriately enough.