How an Archive of the Internet Could Change History

Jenna Wortham in The New York Times:

The internet is pushing us ­— in good ways and in bad — to realize that the official version of events shouldn’t always be trusted or accepted without question. And historians are constantly updating the record by looking for primary sources that were overlooked in earlier eras, often from marginalized figures. These days, such omissions will still happen, but we can catch them faster. Oversights that would have taken decades to correct are now resolved in weeks, even hours. We now get a kaleidoscopic view of events as they unfold, often in real time, on our screens and devices. History is not neutral or synonymous with truth, but the internet affords us a newfound vantage on the totality of passing time — the profound implications of which we are just now beginning to grasp.

There's a joke I often quote, I'm not sure where I heard it first, history is not written by the winners, history is written by the writers. The internet allows us all to contribute to the writing of history. 

Augmented Urban Reality

Frank Rose in The New Yorker: 

The Times recently reported that midtown sidewalks are so crowded that people have taken to walking in the street.

It’s a bit curious that this is happening just as digital technology infiltrates everything. If the automobile caused us to disperse, the information age seems, paradoxically, to be drawing us back together. Widespread predictions that the Internet would free us all to telecommute from the greener pastures of outer Podunk have not been borne out. Being hyperconnected in the digital dimension appears only to make us want to feel hyperconnected in the physical as well. Which is fortunate, because cities are generally beneficial in any number of ways—more efficient than suburbs and small towns in their use of energy and other resources, more conducive to the free flow of ideas, more tolerant, more, well, urbane. The question is whether technology will be able to support the millions of people whom cities are now attracting.

3 Million LEGO Bricks in One Room

Wired visited Robbie McCarthy and Bill Gowdy, two of LEGO's Master Builders. They show us LEGOLAND's model shop packed with more than 3 million bricks in 70 different colors. Robbie also gives us an exclusive look at LEGO's proprietary 3D modeling software.

What Was the Greatest Era for Innovation? A Brief Guided Tour

The New York Times explores innovation:

The truth is, this isn’t a debate that can be settled objectively. Which was a more important innovation: indoor plumbing, jet air travel or mobile phones? You could argue for any of them, and data can tell plenty of different stories depending on how you look at it. Productivity statistics or information on inflation-adjusted incomes is helpful, but can’t really tell you whether the advent of air-conditioning or the Internet did more to improve humanity’s quality of life.

We thought a better way to understand the significance of technological change would be to walk through how Americans lived, ate, traveled, and clothed and entertained themselves in 1870, 1920, 1970 and the present. This tour is both inspired by and reliant on Robert J. Gordon’s authoritative examination of innovation through the ages, “The Rise and Fall of American Growth,” published this year. These are portraits of each point in time, culled from Mr. Gordon’s research; you can decide for yourself which era is truly most transformative.

Style Over Everything

99u:

From the earliest age, we’re taught to strive for perfection. We’re supposed to attend the best schools, get straight A’s, and win Olympic gold medals while we’re at it. To achieve this, we need to have impeccable grades, flawless technique, and unmatchable skills. Once in a while, our society makes a half-hearted attempt to say, “be who you are,” but it’s usually within the context of a winner’s story — someone who wasn’t pitch perfect on paper but still ended up on top anyway.

Talk to career artists and art directors, however, and they’ll tell you that the key to getting commissions and hired full-time isn’t artistic perfection — it’s artistic expression. Those that hire creative talent want, and pay handsomely for one-of-a-kind voices that shock, provoke, scream, joke, and wow — even if they are a little messy at times. Speaking in your own voice is the smartest thing you can do to distinguish yourself from the crowd. And let’s be honest, it’s much more fun. Someone can always come along and be a “better” artist than you, but no one can take away your style. It’s defensible, something you can lean back on regardless of trends and something you can sell that others can’t (one-of-a-kind = more valuable!).

There's nothing more boring than perfect.