It Is in Our Nature to Need Stories→

Jag Bhalla for Scientific American: 

It is in our nature to need stories. They are our earliest sciences, a kind of people-physics. Their logic is how we naturally think. They configure our biology, and how we feel, in ways long essential for our survival.

Like our language instinct, a story drive—an inborn hunger for story hearing and story making—emerges untutored universally in healthy children. Every culture bathes their children in stories to explain how the world works and to engage and educate their emotions. Perhaps story patterns could be considered another higher layer of language. A sort of meta-grammar shaped by and shaping conventions of character types, plots, and social-rule dilemmas prevalent in our culture.

Musicals are booming→

The Economist: ​

Musicals have odds like venture capital: only one in ten makes money, and two out of ten lose it all. The hits, however, are huge. “Cats” probably made a 3,500% return for its initial investors. Since it debuted in London 27 years ago “The Phantom of the Opera”, a musical by Andrew Lloyd Webber, has grossed $5.6 billion worldwide, more than any film or television show. 

Good Science Fiction

"A good science fiction story should be able to predict not the automobile but the traffic jam" - Fredrik Pohl

— joanne mcneil(@jomc) May 4, 2013

​More about Pohl. His books. 

The Film before The Film

“THE FILM before THE FILM” is a short documentary that traces the evolution of title design through the history of film. This short film was a research project at the BTK (Berliner Technische Kunsthochschule) that takes a look at pioneers like Saul Bass, Maurice Binder and Kyle Cooper by showing the transitions from early film credits to the inclusion of digital techniques, a resurgence of old-school style, and filmmakers' love of typography in space.

​Add this one to the long list of favorite things related to opening title sequences. 

How Pixar Used Moore's Law to Predict the Future→

Pixar co-founder Alvy Ray Smith in Wired: 

We know what Moore’s Law is and how it works, but not many people reflect on why it exists. Yes, there are often physical barriers to innovation. But there’s no imminent physical barrier to the realization of a bit: A bit is merely presence or absence of something, say a voltage, which means it can get exponentially smaller. So with no physical limitation, Moore’s Law reflects the top rate at which humans can innovate. If we could proceed faster, we would.

There are no shortcuts at the edge of discovery and invention. ​