The Secret Lives Of Dancers

Over the years I’ve worked with many dance companies, producing and marketing seasons from ballet to modern dance. One of the things I always wanted to do but could not (so far) was create an end of season annual report that not only covered operations and finances but also covered the year from the point of view of the various creative and technical departments, showing a glimpse of the hard work it takes to create a season of dance. 

Dancers train like Olympic athletes, with none of the endorsements and all of the injuries. They have the musicality of the best classically trained musicians. They can perform complex space-time computiations in their minds while contorting their bodies, to the beat. And then when they get on stage they can move you with extraordinary expresions of joy or sorrow. 

A side anecdote: while working for Ballet Hispanico, I watched and heard endless rehearsals for a particular piece. I had heard the choreographer explain the very moving scene, heard the music over and over and over for days on end, watched the dancers work at mastering and perfecting the moves. In essence I felt like I knew the routine as well as an outsider could. Then on opening night, after all the commotion of starting a new season, I finally sat down in the theater next to my colleagues and when this particular section started I found myself crying almost uncontrollably, surrounded by other company staff that were also crying, the audience was crying. The dancers had taken something that I had seen completely deconstructed and analyzed and were able to strip away all of it and instead infuse the performance with profound humanity and beauty.

It is becuase of this love of dance and the complexities of creating dance that I am excited about two ventures started by two major international ballet companies. 

The Australian Ballet, Australia’s national ballet company, is profiling a year in the life of two of the company’s dancers, senior artist Amy Harris and corps de ballet dancer Jake Mangakahia. The ten-part web series begins in January as the company returns from the Christmas break and prepares for the year ahead. Part 1 is below. Subscribe on YouTube to see the following 9 parts as they are released through the year. 

(via couriermail.com.au & YouTube)

New Zealand’s TV3 has just concluded the second season of The Secret Lives of Dancers, a prime time show that goes behind the scenes at the Royal New Zealand Ballet. Though video of the show is hard to find if you can get your hands on it you should check it out. The second season focused on famous New York dancer Ethan Stiefel becoming their new Artistic Director, with all the interesting cultural juxtapositions that implies, as the company stages their biggest production so far. It is compelling television to watch how the lives of the dancers affect the productions, and how some dancers make it and some do not despite all the hard work.  

Think of all of the work that you do, all the design, all the technology, all the user interactions and constant pushing forward, dancers do that and more. They could be your source of inspiration, your source of entertainment, they could spark your next great idea. You really should go see live dance. 

Authenticity in Pop Music: Computer Generated Miku Hatsune vs. Marketing Generated Lana Del Rey

Earlier in the week I tweeted a truly fascinating The New Yorker article exploring how urban pop music is constructed. Let’s continue looking at this theme with the latest PBS Idea Channel episode, which asks the question: is Miku Hatsune a more authentic Pop Star than Lana Del Rey?

Lana Del Rey might be The Girl Who Launched a Thousand Blog Posts but we think there might be something else really interesting here. How is it that she, a REAL PERSON, pales in Pop Star Comparison to a computer program?

Lana Del Rey might be “The Girl Who Launched a Thousand Blog Posts” but we think there might be something else really interesting here. How is it that she, a real person, pales in Pop Star Comparison to a computer program? With the rise of Miku Hatsune, a computer generated pop star from Japan, and the recent kerfuffle surrounding Lana Del Rey’s album release, we take a look at what it means to be authentic in today’s music world. Is Miku Hatsune, a piece of software, more authentic than human being Lana Del Rey?

Hosted by Mike Rugnetta
Made by Kornhaber Brown 

Previously on the Idea Channel:

Super Mario Brothers Is The World’s Greatest Piece Of Surrealist Art

Fish: The Best App/Essay/Manifesto I've Seen In Years

Fish: A Tap Essay

Writer Robin Sloan has created one of my new favorites, one of those things that enter your life and fit like they’ve been there forever. 

He has created something truly marvelous that is in essence, well, here is how he describes it: “a short but heartfelt manifesto about the difference between liking something on the internet and loving something on the internet.”

I won’t say much more, no spoilers here, just go download it, it’s free, and take in what he has to say and how he has expressed it. 

I’ve already read it more than once. 

The PBS Renaissance, Mario Bros. and Surrealist Art

It would be easy to think that when I say PBS is having a renaissance that I mean the recent success of tv shows like Downton Abbey and Sherlock. Yes, Downton Abbey had better ratings than many cable darlings, including Mad Men and the truly clever modernization of Sherlock Holmes has led to CBS launching their own version of the Holmes stories, with Lucy Lui cast in the role of Watson for a twist. 

But the renaissance I am talking about is how PBS has embraced the internet. For more than a year PBS.org has been the home to some fantastically produced online-only programming that enhances the vision and mission of the tv channel exploring relevant cultural and technological themes and ideas in ways that would not necessarily make sense on the tv channel. 

Until the end of the month they are hosting the PBS Online Film Festival. They have already produced a season of Off Book, an original series that expands on the definition of art, and have released the first episode of the second season. Recently they launched the Idea Channel, a new show that examines the connections between pop culture, technology and art. Watch the premiere episode below: 

We all know who the Mario Brothers are but have you ever stepped back and tried looking at those games from a fresh perspective? Like you've never seen or heard of them before? They're bananas! There are armored turtles who stand on their hind legs and steal princesses!

We all know who the Mario Brothers are but have you ever stepped back and tried looking at those games from a fresh perspective? Like you’ve never seen or heard of them before? Pause for a second and don’t think about the gameplay you remember fondly. Think about it. There are armored turtles who stand on their hind legs and steal princesses. There are bullets with faces. Mario Bros is not just a game or nostalgic memories of playing with friends, Mario Bros is surreal art at its best. Surreal art you can play. 

Hosted by Mike Rugnetta
Made by Kornhaber Brown 

(Thank you Lisa Romagnoli for the introduction to the series.)

What Do You See?

Fantastic promo for the EG Conference taking place at the Monterey Conference Center, 12-14 April 2012. EG is widely lauded as the most unusual, inspired, intimate and genuine gathering of creative talents anywhere — it’s been called “show and tell for geniuses.”