Everything is a Remix Remastered
/I'm a fan of Kirby Ferguson and have shared his work before. Here is a remastered version of his series Everything is a Remix, that is worth revisiting.
The World Of Professional Creativity
/The intersection between commerce, technology and culture has long been a place of anxiety and foreboding. Marxist critics in the 1940s denounced the assembly-line approach to filmmaking that Hollywood had pioneered; in the ’60s, we feared the rise of television’s ‘‘vast wasteland’’; the ’80s demonized the record executives who were making money off violent rap lyrics and ‘‘Darling Nikki’’; in the ’90s, critics accused bookstore chains and Walmart of undermining the subtle curations of independent bookshops and record stores.
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Take a look at your own media consumption, and you can most likely see the logic of the argument. Just calculate for a second how many things you used to pay for that now arrive free of charge: all those Spotify playlists that were once $15 CDs; the countless hours of YouTube videos your kids watch each week; online articles that once required a magazine subscription or a few bucks at the newsstand. And even when you do manage to pull out a credit card, the amounts are shrinking: $9 for an e-book that used to be a $20 hardcover. If the prices of traditional media keep falling, then it seems logical to critics that we will end up in a world in which no one has an economic incentive to follow creative passions. The thrust of this argument is simple and bleak: that the digital economy creates a kind of structural impossibility that art will make money in the future. The world of professional creativity, the critics fear, will soon be swallowed by the profusion of amateurs, or the collapse of prices in an age of infinite and instant reproduction will cheapen art so that no one will be able to quit their day jobs to make it — or both.
And yet Steven Johnson, in The New York Times, continues this essay by making the argument for the creative apocalypse that wasn't: "in the digital economy, it was supposed to be impossible to make money by making art. Instead, creative careers are thriving — but in complicated and unexpected ways."
Wire Cutters: Gorgeous Animation
/Gorgeous short animation that is fantastic and also, a student thesis. Creator Jack Anderson sure has a future working for Pixar.
The New Audience: John Lasseter
/Academy Award winner John Lasseter, the chief creative officer of Walt Disney and Pixar Animation Studios and principal creative advisor for Walt Disney Imagineering, at the Academy event "The New Audience: Moviegoing in a Connected World."
What's the Most Important Element of a Good Story?
/At this year's Aspen Ideas Festival, we asked a group of writers, journalists, and producers to explain what makes a story great. According to House of Cards showrunner Beau Willimon, the answer is a simple one: "The most important element in a good story is conflict. It's seeing two opposing forces collide with one another." Other panelists include Michael Eisner, Catherine Burns, Jay Allison, Jon Lovett, Yoni Bloch, Paula Kerger, and Jonathan Harris.