Australian Government Documentary Series: The House with Annabel Crabb

An unprecedented look at how the Australian government works.  One of the most interesting and well produced documentaries I've seen all year. 

The House With Annabel Crabb Episode 1 - Join Annabel Crabb on an all-access visit to Australia's Parliament House. As the 45th Parliament opens with a cast of apprehensive new MPs & an unpredictable Senate, Annabel takes us on a tour of the engine room.
The House With Annabel Crabb Episode 2 - Annabel explores the peculiar pitfalls of a workplace where all comes unstuck if 76 people can't successfully sprint to a designated point within 4 mins. She also reveals something unnerving about the coat of arms.
The House With Annabel Crabb Episode 3 - A behind-the-scenes look at just how much plotting, planning and rehearsal goes into the brutal piece of political performance theatre that is Question Time in the House of Representatives.
The House With Annabel Crabb Episode 4 - Annabel steps into the intoxicating world of the Senate, presided over by Senate President Stephen Parry (a former cop and undertaker) and his Clerk Rosemary Laing, an expert in 17th century British poetry.
The House With Annabel Crabb Episode 5 - Annabel inveigles her way into the building's Members-only dining room to hear a startling confession from former PM Tony Abbott. Plus a visiting dignitary, a look inside the Cabinet room & Nick Xenophon uncovers his plates.
The House With Annabel Crabb Episode 6 - The last week of Parliament arrives, full of Christmas parties & knotty legislative business which politicians have left to the last minute to fix. Security faces challenges as protesters infiltrate the building.
/Source

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Google X and the Science of Radical Creativity

The Atlantic has a great profile of Google X by Derek Thompson: "How the secretive Silicon Valley lab is trying to resurrect the lost art of invention." It begins: 

A snake-robot designer, a balloon scientist, a liquid-crystals technologist, an extradimensional physicist, a psychology geek, an electronic-materials wrangler, and a journalist walk into a room. The journalist turns to the assembled crowd and asks: Should we build houses on the ocean?
The setting is X, the so-called moonshot factory at Alphabet, the parent company of Google. And the scene is not the beginning of some elaborate joke. The people in this room have a particular talent: They dream up far-out answers to crucial problems. The dearth of housing in crowded and productive coastal cities is a crucial problem. Oceanic residences are, well, far-out. At the group’s invitation, I was proposing my own moonshot idea, despite deep fear that the group would mock it.
Like a think-tank panel with the instincts of an improv troupe, the group sprang into an interrogative frenzy. “What are the specific economic benefits of increasing housing supply?” the liquid-crystals guy asked. “Isn’t the real problem that transportation infrastructure is so expensive?” the balloon scientist said. “How sure are we that living in densely built cities makes us happier?” the extradimensional physicist wondered. Over the course of an hour, the conversation turned to the ergonomics of Tokyo’s high-speed trains and then to Americans’ cultural preference for suburbs. Members of the team discussed commonsense solutions to urban density, such as more money for transit, and eccentric ideas, such as acoustic technology to make apartments soundproof and self-driving housing units that could park on top of one another in a city center. At one point, teleportation enjoyed a brief hearing.
X is perhaps the only enterprise on the planet where regular investigation into the absurd is not just permitted but encouraged, and even required. X has quietly looked into space elevators and cold fusion. It has tried, and abandoned, projects to design hoverboards with magnetic levitation and to make affordable fuel from seawater. It has tried—and succeeded, in varying measures—to build self-driving cars, make drones that deliver aerodynamic packages, and design contact lenses that measure glucose levels in a diabetic person’s tears.
These ideas might sound too random to contain a unifying principle. But they do. Each X idea adheres to a simple three-part formula. First, it must address a huge problem; second, it must propose a radical solution; third, it must employ a relatively feasible technology. In other words, any idea can be a moonshot—unless it’s frivolous, small-bore, or impossible.

The whole profile is a must read. I am currently fascinated by X's work as their Project Loon is being used in Puerto Rico to assist with emergency communications in the Hurricane Maria ravaged island. From the profile: 

The idea struck more than a few people as ridiculous. “I thought I was going to be able to prove it impossible really quickly,” said Cliff L. Biffle, a computer scientist and Rapid Eval manager who has been at X for six years. “But I totally failed. It was really annoying.” Here was an idea, the team concluded, that could actually work: a network of balloons, equipped with computers powered by solar energy, floating 13 miles above the Earth, distributing internet to the world. The cause was huge; the solution was radical; the technology was feasible. They gave it a name: Project Loon.

Consumed by anxiety? Give it a day or two

Oliver Burkeman puts anxiety in perspective in his The Guardian column: 

The next time you’re consumed by anxiety – which, given the headlines, is probably this minute – you might borrow a tip from the philosopher Massimo Pigliucci, author of the excellent new book How To Be A Stoic. In a recent podcast, Pigliucci described how he used Google Street View and Google Earth to create a slideshow that starts with an image of his own home, then zooms out, out and out, until it shows the whole planet. He consults it when feeling overwrought. You couldn’t hope for a more vivid illustration of the Stoic “dichotomy of control”, which urges us to restrict our attempts to change things to those actually in our power, instead of making ourselves miserable railing against those that aren’t. (See also the “serenity prayer”, popularised by Alcoholics Anonymous.) You are – not to be rude – a tiny part of the cosmos. That doesn’t make you powerless. But it does mean you’re almost certainly stressing about things that will, without doubt, remain majestically unaffected by your stress.

 

/Source

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Seth Godin on Innovation

Seth Godin

Innovation is essential, but innovation isn't lazy. It takes insight and patience and experience to bring a new solution to an old problem.

Impatience is not a strategy.

Experience isn't free, but it's valuable.

And history doesn't repeat itself, but it rhymes.

 

/Source

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Jocelyn K Glei: How to be productive in a meaningful way in a world of distraction

Jocelyn K. Glei:

"We’ve gotten very good at making time for busywork and very bad at making time for our best work. In this recent talk, I outline why we’re so addicted to “fake productivity” — those small, mindless tasks that feel productive but actually get us nowhere — and how we can shift our attention back to the work that matters."

/Source

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.