“Life After Pi” is a short documentary about Rhythm & Hues Studios, the L.A. based Visual Effects company that won an Academy Award for its groundbreaking work on “Life of Pi”– just two weeks after declaring bankruptcy. The film explores rapidly changing forces impacting the global VFX community, and the Film Industry as a whole.
This is only the first chapter of an upcoming feature-length documentary “Hollywood Ending,” that delves into the larger, complex challenges facing the US Film Industry and the many professionals working within it, whose fates and livelihood are intertwined.
Comfort-seeking missiles, we spend the most to minimize pain and maximize pleasure. When it comes to technologies, we mainly want to make things easy. Not to be bored. Oh, and maybe to look a bit younger.
Our will-to-comfort, combined with our technological powers, creates a stark possibility. If we’re not careful, our technological evolution will take us toward not a singularity but a sofalarity. That’s a future defined not by an evolution toward superintelligence but by the absence of discomforts.
The sofalarity (pictured memorably in the film “Wall-E”) is not inevitable either. But the prospect of it makes clear that, as a species, we need mechanisms to keep humanity on track. The technology industry, which does so much to define us, has a duty to cater to our more complete selves rather than just our narrow interests. It has both the opportunity and the means to reach for something higher. And, as consumers, we should remember that our collective demands drive our destiny as a species, and define the posthuman condition.
The app, simply called “Ken Burns,” allows the user to surf an overarching timeline year by year, seeing how clips from each film line up chronologically with – and, as Burns says, “speak to” – each other. Zoom in on 1869, for example, and a cloud of clips from The Civil War, The West, and The National Parks orbit in parallax formation around one another; swipe to 1930, and it’s clips from Jazz, Prohibition, Baseball, Huey Long, Thomas Hart Benton and The Dust Bowl. You can also watch its six playlists straight through – they range in length from 20 minutes to an hour long – or select individual clips à la carte.
The concept came out of a conversation Burns was having two years ago with MacKinnon, who is the music entrepreneur behind Hear Music and has known Burns since they worked together on music components for 2001′s Jazz.
“Ken and I were talking about how his films were in the search engines of iTunes and Netflix, and they’re always the top-rated thing when they run on PBS, but there wasn’t a digital place where all of his films were presented as one thing, as an integrated body of work,” says MacKinnon. “Then he paused for a second, and looked at me and said, ‘I really love my iPad.’”
Download the app but only if you are prepared to lose your day to it.
In the age of social media, when cell phones come with camera lenses optimized for selfies, that last question gets asked regularly. So I am going to answer it, once and for all: No. There is no such thing as TMI on the Internet. We are living in a post-TMI age, and everyone needs to deal with it. Preferably by using the “unfollow” button.
There is such a thing as too much information for you. There is such a thing as information the speaker will later regret. But if an audience is willingly and pleasurably consuming the information, then by definition, that is the right amount of information for them. Assuming the information in question is yours to share — your life, your ideas, your stories, your pictures, your theories about elf genealogy in Lord of the Rings — you cannot share too much of it. There are no captive audiences on the Internet. Whereas discussing your sex life at the Thanksgiving dinner table may be TMI for Grandma, discussing your sex life online does not necessitate Grandma’s participation. If you follow someone on Twitter and you find that her tweets are too much for you, then you may unfollow her. If you continually recoil at TMI, it's because you lack the willpower to stop consuming (or foresight to avoid) the information in question. That’s your fault.
An Unexpected Way to Experience a Night at the Ballet
Following the inaugural 2013 installation LES BALLETS DE FAILE, New York City Ballet is proud to collaborate with the French artist known as JR for the second annual Art Series.
Exhibiting freely in the streets of the world, JR catches the attention of people who are not typical museum visitors. His largest project to date, INSIDE OUT, was born in 2011 when JR won the TED prize and called for the creation of a global art project with the potential to change the world. Transforming messages of personal identity into public works of art, more than 172,000 people have taken part in nearly 8,600 locations around the world.
JR will share his Art Series installation during three special performance evenings — January 23, February 7, 13 — when every seat in the house is available for just $29. On these evenings, every audience member will receive a takeaway created specifically for this event.
Absolutely love this collaboration. More please. NYC Ballet should have a ballet with sets designed by JR.